I don’t go to demonic-possession movies expecting to encounter interesting characters, but The Last Exorcism has them, and that’s what raises Daniel Stamm’s faux documentary to a level of complexity few horror films even attempt. Its protagonist, Cotton Marcus, has been brought up in Baton Rouge by his minister-father to be an evangelist, a faith healer, and—when the n (...)
Screen
In the Details
‘The Last Exorcism’ & ‘Devil’
The remainder of this article is only available to paid subscribers. If you’re not currently a Commonweal subscriber in print or online, an online-only subscription costs just $34 a year. Click here for immediate access.
