For a generously bearded, self-styled “prophet” of Paris’s Belle Époque, Edouard Vuillard has a disappointingly uneventful biography. No swashbuckling or hard drinking for this mousy member of “Les Nabis,” a band of post-impressionist student painters galvanized by the works of Paul Gauguin. Vuillard lived with his mother, a widowed dressmaker, for sixty years. He ne (...)
Art
Surface Tensions
EDOUARD VUILLARD AT THE JEWISH MUSEUM
The remainder of this article is only available to paid subscribers. If you’re not currently a Commonweal subscriber in print or online, an online-only subscription costs just $34 a year. Click here for immediate access.


