The enduring controversies surrounding Hannah Arendt confirm Wittgenstein’s insight: to think what we are doing was, and remains, much easier said than done.
"Hell or High Water" breathes new life into familiar materials, dealing out anachronistic juxtapositions while de-romanticizing the iconic figures of the western.
Comedies with superficial characters aren’t necessarily bad, but ‘Café Society’ stays predictable. ‘Florence Foster Jenkins,’ however, makes room for pathos.