Comedies with superficial characters aren’t necessarily bad, but ‘Café Society’ stays predictable. ‘Florence Foster Jenkins,’ however, makes room for pathos.
With its command of reverberant silences, its conveyance of past horror and ongoing pain, 'The Innocents' does what all good movies do: it lingers with you.
Two jazz trumpeters, now each the subject of a biopic taking its title from one of its hero’s hits: "Born to Be Blue" (Chet Baker) and "Miles Ahead" (Miles Davis).
