There are two difficulties with writing about Michelangelo’s frescoes in the Sistine Chapel. One is saying anything fresh about them. The other is seeing them at all.
While some Cubans succeed in beginning new lives elsewhere, others are forced to return—a process that is often psychologically, physically, and financially traumatic.
"One couldn’t know how long it would go on // lashing desultorily at the portholes— / how the waters would gather / til they lifted the keel clear off its supports"
This, to save the Republic, / this for the glory of the state, they, the inheritors of, / for them, a great tradition, in their murderous insistences / they, the United States, conduct a killing spree