In ‘Killers of the Flower Moon,’ Martin Scorsese serves up an inversion of history as we have come to know it, revealing his larger aim—the correction of memory.
On this episode, Andie Tucher explains how misleading stories, sensationalism, and outright lies have been part of American journalism from the very beginning.
The testimonies of witnesses to impossible events vivify the past. They allow us a glimpse of the world as some of those who lived long ago actually saw it.
Brad DeLong’s expansive economic history is organized around a question: Why, despite constant innovation, haven’t we solved our deepest economic problems?
In Lance Morrow’s new book, the veteran ‘Time’ essayist drops names, complains about boomers, and offers an apologia for the journalism of the “American Century.”
The coronation might be a mess of entangled traditions, of shame as well as glory, but it is also an opportunity for Charles to consecrate himself to service.
Beverly Gage's biography of J. Edgar Hoover challenges the traditional historiographical perception of Hoover's role in America's "long national nightmare."
Christ was not worshiped for the manner of his death but because he was raised from the dead. Any history of the Christian martyrs must understand that fact.
