There are two difficulties with writing about Michelangelo’s frescoes in the Sistine Chapel. One is saying anything fresh about them. The other is seeing them at all.
A new staging of ‘La forza del destino’ offers audiences the chance to ponder the paradoxes at the heart of what is often considered Verdi's most “Catholic” opera.
She had no spite or worldly cunning, but she refused to massage the egos of those around her or to conceal her overwhelming belief in the rightness of her vision.
In ‘Killers of the Flower Moon,’ Martin Scorsese serves up an inversion of history as we have come to know it, revealing his larger aim—the correction of memory.
An exhibition celebrates Lalo Alcaraz—the author of the first Latino-themed nationally syndicated political comic strip. It’s classic Alcaraz: direct and very funny.
The Whitney’s ‘no existe un mundo poshuracán’ exhibits not only the horrors of natural disasters and human incompetence, but also the power of resilience.
Massimo Faggioli reflects on the most recent elections at the USCCB, the sixtieth anniversary of Vatican II. Plus, Natalia Imperatori-Lee on artist Yolanda López.
