Dorothea Lange’s life of looking at others, especially those harmed by unjust systems, helped her see that victims were more than just their socioeconomic scars.
The Mexican government has already ordered people to stay home, with Mexico City under lockdown. But in a small pueblo in the south, life continues as before.
William Blake critiqued the Enlightenment, industrialization, and the expansion of the British empire. His work shines at the Tate as the shadows of Brexit loom.
Refugees and migrants encounter homesickness as they struggle to establish identities in unfamiliar, often unwelcoming territory. Three books show how they do it.
A parasite is a homemaker, living in its host. In Bong Joon-ho’s new film it could be property, capital, commercialized art and artifice, or all of them together.
Australian critic Clive James passed away last month. His writings show us that we need not choose between high and low culture: Dante matters, but so do the Doors.
Art. Fiction. Memoir. Even a graphic novel. Our critics compile a list of their favorite readings from 2019. They make great gift ideas for the Christmas season.
A new show at the ICA in Boston addresses the global migration crisis by posing a simple question: what is a home? And why do more than 60 million people lack one?
Museums have recently tried to expand our picture of Native American life, coupling indigenous art with contemporary American works. This approach has limits.
The first of a series by Fr. Incognitus, who has worked in Southwest parishes serving immigrants from Central America, Mexican Americans, and Euro-Americans.
Poet and novelist Fanny Howe is an experimental writer’s experimental writer, the author of dozens of books, one who remains publicly, committedly Catholic.
A new show at the Barnes in Philadelphia transports audiences into the heart of the Bill Viola’s pioneering inquiries into the phenomenon of visual perception.
In the debates about democratic socialism, we need a new idea of utopia. The life and work of nineteenth-century socialist William Morris is a good place to start.
Abel Ferrara’s new biopic about Pier Paolo Pasolini evinces a highly personal, anti-institutional strain of Catholicism—where grace abounds in squalor and scandal.
Tibetan art can be a challenge for non-initiates to decipher. But once you pierce its iconography, you find a moving testimony of faith lived against oppression.
Jacopo Tintoretto has been considered by many, including John Ruskin and Henry James, to be the greatest artist of the Italian Renaissance. His work astounds.
This Lent, the art of Lucio Fontana intensifies the insights of monastic spirituality. Even our worst crimes are pardoned by Christ’s extravagant mercy.
The history of the Children’s Crusade deepens my understanding of the present: yes, the “little ones” suffer, but they retain a sense of dignity, even hope.
Readers celebrate the legacy of French Catholic thinker Paul Virilio, and question Cathleen Kaveny’s critique of using RICO the statute to prosecute the church
As Lent approaches, I’ve been in a state of spiritual anxiety over the inevitable renunciation that the season demands. God wants harmonious balance, not excess
An interview Fran Lebowitz, the writer, speaker, wit, and archetypal New York personality, on everything from the AIDS crisis to the heart of the Christian religion
